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Archive for November, 2023

The Bristol Approach to build Citizen Observatories for more inclusive, beautiful and regenerative places across Europe

On October 17th-19th, we joined forces with the GREENGAGE consortium partners at the Austrian Institute of Technology in Vienna. This marked the project’s second in-person meeting since its beginning in January 2023. Up to this point, the multidisciplinary team has been preparing online for the upcoming months, during which we will establish Citizen Observatories in five distinct pilot locations: North Brabant (Netherlands), Turano/Gerace (Italy), Copenhagen (Denmark), and Bristol (UK).

Citizen Observatories are community-based environmental monitoring and information systems. They are used to engage people in data-based co-creation with the aim to innovate processes and outcomes of local policy making to meet the targets of the Green New Deal. The in-person reunion provided a necessary grounding for the grand concepts surrounding citizen science for policy innovation, allowing us to explore the practical opportunities and challenges within real-life scenarios. In our luggage, we carry “The Bristol Approach” as a concrete method for collaboratively devising fresh approaches to enhance the well-being of both people and the planet. Improved places are those that are habitable for humans and other species, not just in the present but also in the future. 

In 2016, we co-created The Bristol Approach in partnership with Bristol City Council and Ideas for Change, aiming to unite various stakeholders crucial for driving systemic changes.  

A key value of this approach is to involve those individuals who will be impacted by the changes right from the beginning and empower them to co-design solutions alongside those who have the authority to execute them. As Bristol’s Living Lab, we have been testing and improving this co-creation methodology in multiple projects, developed tools and formats to work with it in different situations. Now for the first time, we are adapting this framework to set up GREENGAGE Citizen Observatories. Citizen Observatories can take on many forms and it is hard to define them in a one-size-fits-all kind of way. Their goal is to engage people in data-based co-creation with the aim of informing local policy making. While it might appear clear in theory, the real-life implementation can be intricate and exhilarating. 

In Vienna, we started mapping out what GREENGAGE Citizen Observatories could mean for each of the pilots. In Vienna, we initiated the process of outlining the potential implications of GREENGAGE Citizen Observatories for each of the pilot locations. KWMC conducted three workshops with the objective of gaining a comprehensive understanding of the conditions in the pilot areas and their aspirations. This understanding was critical for developing tailored engagement strategies that are inclusive and leave no one behind. 

In the upcoming weeks, we will make materials to onboard people who live and work at the pilot’s places. We will apply creative practices to co-design activities with the pilot partners that empower citizens to observe and make sense of their environments.  

To keep up to date follow #GREENGAGE on social platforms.

Introducing David; our MyWorld fellow

We are incredibly pleased to announce David Matunda as our new fellow in residence. 

David is a web developer, digital artist and creative technologist. He is interested in live code visuals, generative art and exploring algorithms. During this opportunity, David will be investigating and prototyping creative uses for community tech in collaboration with the Knowle West community. 

David will spend 10 months with us exploring, testing and developing creative, accessible ways of utilising the growing KWMC community tech infrastructure. He hopes to identify the challenges and barriers to accessing community tech at KWMC and provide a case for greater investment in community tech infrastructure. 

This fellowship is part of the MyWorld IDEAS programme, funded by UKRI, and managed by both the Watershed and us at KWMC.

Blog: Prototyping Accessible Green Tech in Garden Lab Whispers Grow

Our Garden Lab Whispers Grow project is now well underway! We have been experimenting more with mud batteries and macroscopes, exploring themes of accessibility and nature connectedness. 

After an exciting start with mud batteries and macroscopes, our team of collaborators met again to do some more hands-on exploration! Our team includes KWMC producers, Wales-based DIY tech artist Paul Granjon, accessibility advocate/disabled designer Ruth Hennell, local green groups, and local disabled creatives Oliver Woods and Daisy Hvnter.

We kicked off the session by revisiting the mud batteries at Springfield Community Allotments. Mud batteries capture the electricity produced by microbes living in the soil. They are a great way of making people aware of the life going on under their feet at all times. This time, we began with potting some humble weeds – often disregarded by gardeners as a nuisance. However, even a weed can create power with a little help…

Creating a Mud Battery:  

To make the mud battery, we planted the weeds in pots of soil. Then, some copper and zinc-plated electrodes were added to the pot, creating a chemical reaction which produces electricity. Bacteria in the soil settle on the electrodes, bringing more power to the battery. The weed in the pot helps keeping the soil healthy and nutritious for the microbes. You might remember from our previous blog that this reaction generated enough power to turn on a small LED light.  Here’s a video of artist Paul Granjon explaining how make one yourself:

However, the power created by the mud battery is low and it fades when too much is required from the microbes. To allow the microbes to “rest”, we can power the circuit at regular intervals instead. We tried linking multiple batteries together, creating a harvesting circuit that stores the electricity from the microbes until there is enough to flash a little red LED light. We learned that while one plant pot can create about 0.5 volts, five plants joined together can create around 2-3 volts. 

This voltage can be represented through sound. We experimented again with a speaker (powered by a separate standard battery) which generated sound depending on the voltage reading. The sound was a quiet crackly noise when the voltage was low and got louder when the voltage was higher. This crackle can be re-coded to any sound, so one volt could be a chicken clucking, while two volts is a cow mooing! 

Mud Battery Prototyping: 

We loved that the microbes cannot continually create electricity – they need to rest, as we all do, particularly those of us with chronic illnesses. Inspired by this, Ruth has been working on sketches and prototypes for a plant bed in the shape of a human bed. We are imagining having them activated by a timer switch which plays a little melody for a few minutes before the microbes rest again. 

Meanwhile, Oliver has been working on a 3D printed controller for the mud battery’s circuit board to sit inside. The design is based on photos of soil microbes, which “look like a wotsit with little wiggly tails”!

This idea was developed further with young people at Springfield Community Allotments on 30th October. We are excited to share more information about this soon.

Macroscope Prototyping: 

Alongside our mud batteries, we have also been playing with macroscope cameras (not to be confused with a microscope, which captures atoms and molecules. Instead, a macroscope captures extreme close-ups of anything that could be seen with the naked eye).

We have been thinking of how to attach it to a mobility aid and adding a joystick control so it can be controlled from the top of the aid. This would enable people with mobility disabilities to view different perspectives without necessarily moving their physical bodies. Paul has been experimenting with using a Nintendo Wii remote for controlling a WiFi macroscope. We explored the design together at The Factory on 8th November.

Meanwhile, Ruth has been thinking of a snail-shaped case for the macroscope, inspired by the ‘snails eye view’ she gets when she lies down on her mat. Paul mentioned that we could make a mobile remote-controlled snail macroscope. Ruth loved the idea of sending out a robotic snail out to explore on her behalf when she is stuck in her flat with fatigue or pain.

We have be prototyping this further at The Factory using a toy remote-controlled car!

Background: 

Garden Lab Whispers Grow is funded by Bristol + Bath Creative R+D Grounding Technologies and supported by Impetus. To carry out the project, KWMC is collaborating with Paul Granjon, Ruth Hennell, local green groups, and accessibility advisors. Paul is a Wales-based artist with a background in DIY technology and Ruth is a Bristol-based disabled interdisciplinary designer and accessibility advocate. Together, we are designing a series of “garden lab” experiments in the allotment and beyond, looking into how to grow more caring relationships with nature and inclusive processes for climate action. This project is supporting KWMC’s aims for setting up future long-term citizen science programmes in the neighbourhood. 

KWMC at ‘Play and Our Changing World’ and ‘Co-creating the Public Realm’ Conferences 

Co-creating the Public Realm: How Can We Thrive was a packed day of UK and international speakers looking at how socially engaged practice can and how art can help communities reimagine new futures.  

Artist and facilitator Owen Griffiths outlined a body of work which is focused on working in 1 square mile in Swansea, where he lives and works. Owen places importance on working slowly and having time to think about what we collectively know, what skills we already have, and what seeds are being sown. These long-term dialogues enable new collaborative methods which look at fairer ways to distribute power among communities. In 2020 Ways of Working emerged, a community enterprise that centres around regenerating St Helen’s High Street. The Street Matters is a citizen led, urban design programme which sees residents, businesses, and artists working together ongoing with the hope of producing a neighbourhood plan.  

Alongside Owen, artist Suzanne Lacy spoke about an extensive body of socially engaged work which often involves large numbers of local people participating in performance, film, or conversation. Her project Uncertain Futures: Women, Work and Aging saw her initially invite 15 women to participate as part of an advisory group. That group then invited others to the project, and so on, meaning she wasn’t gatekeeping who took part, with that responsibility laying with the local community.  

The most interesting part of the day, for me, was a session run by Skate Southampton, Rich Holland (architectural designer) and WeSkateSoton. The workshop looked at using skateboarding to promote engagement and integration in public spaces. Although I’m not a skater, there were some really useful ideas about how architectural forms and sculptures can be used to encourage community engagement and to animate underused public spaces. For example, in Malmo, dormant spaces are revitalised by installing sets of sculptures made with the aim of being used for skating. These being deployed in underused spaces and encouraging skaters to dwell there, helps to make them safer for everyone. Interesting work is happening closer to home, in Southampton, where they’ve just produced the world’s first 3D printed concrete street furniture. Lightweight, no waste, and fully recyclable, this furniture has been designed by skaters for public use. This approach, together with combatting antisocial use of public spaces by groups (like skaters) and the council producing a code of conduct for public spaces, could absolutely be employed in some ways across public space here in Knowle West.  

Play and Our Changing World was held at the National Maritime Museum in Greenwich, London. An event focusing on: 

  • Play and equality – how to broaden access and be inclusive of gender, disability, class, and culture through co-curating play environments. 
  • The Importance of Play – why free play matters, health and development benefits. Taking play seriously and embedding it throughout the day, not just at designated times. 
  • Building on Play – how play can be used to access history and culture. 

MK Gallery’s Art and Us programme facilitated a playful workshop sharing their knowledge from running arts activities for families with a child or children with complex needs. They run Sunday workshops with freelance artists and invite a cohort of families along to take part. The families in the programme can be part of these workshops until they decide to leave. I found this approach of working with one group of families over a long period of time interesting. So often, working on a project-to-project basis, it can feel like you need to engage new people all the time. Talking to MK Gallery was a good reminder of the benefits of working in a slowed down sustained way with one group. 

We also heard from Lucy McDonald about the process of co-designing a new play space at the National Maritime Museum, The Cove. Working with Willow Dene School to design the area, the Royal Greenwich Museums team had the principle that all play features should in some way be accessible. For example, a wheelchair user might not be able to climb on something, but could they go into or underneath that structure to still be immersed in play in some way. Inclusivity is not putting in an accessible swing, it’s about a whole range of things beyond this. It’s about being visible and playing alongside more able-bodied peers, rather than separately. It’s about having suitable amenities nearby to enable people to stay for a while – a changing place toilet, somewhere to fill water bottles, a nice place to sit.   

Contact Us

Knowle West Media Centre
Leinster Avenue
Knowle West
Bristol
BS4 1NL
+44 (0) 117 903 0444
enquiries@kwmc.org.uk

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